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	<title>songseek.net &#187; Top post</title>
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		<title>Rubber Soul &#8220;remake&#8221; &#8211; The Beatles</title>
		<link>http://www.songseek.net/2009/09/rubber-soul-remake-the-beatles/</link>
		<comments>http://www.songseek.net/2009/09/rubber-soul-remake-the-beatles/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 12:20:42 +0000</pubDate>
		<dc:creator>bio</dc:creator>
				<category><![CDATA[Top post]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[remake]]></category>
		<category><![CDATA[rock and roll]]></category>
		<category><![CDATA[the beatles]]></category>

		<guid isPermaLink="false">http://www.songseek.net/?p=337</guid>
		<description><![CDATA[Along with Revolver this album is where the Beatles style began to expand and change from their pop hits to more musical compositions. The influences of drugs and mysticism began to make its way into ...]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: x-small;"><img class="alignleft size-full wp-image-338" title="379686-e62eafb71eba81466920c66c851d70c7" src="http://www.songseek.net/wp-content/uploads/2009/09/379686-e62eafb71eba81466920c66c851d70c7.jpg" alt="379686-e62eafb71eba81466920c66c851d70c7" width="400" height="400" />Along with <em>Revolver</em> this album is where the Beatles style began to expand and change from their pop hits to more musical compositions. The influences of drugs and mysticism began to make its way into The Beatles&#8217; music more and more. This album contains a mixture of both styles, as The Beatles&#8217; continue their decade dominance.</p>
<p>Starting off with the upbeat, pop-sounding &#8220;Drive My Car&#8221;, the old sound is still there. Just a simple pop song with not much more behind it. However, the next track &#8220;Norwegian Wood&#8221; is well-known for George Harrison&#8217;s sitar. The first track he ventures into Indian music, a style that will play a major part in much of his music to come. The Indian tinge to the guitar makes for a very interesting sound. It sounds almost foreign, but at the same time, very natural.</p>
<p>&#8220;You Won&#8217;t See Me&#8221; is another pop-sounding track, but with more musical depth. A move away from the mold the Beatles&#8217; had used a lot on their early work. Following is &#8220;Nowhere Man,&#8221; which seems to be a very popular track among people getting into the Beatles&#8217; and longtime fan. Although its not quite my favorite, it has an interesting sound to it with the vocal layering and dominating drum beat. The guitar is more about fills now than just playing the chord progression.</p>
<p>The next track is a Harrison composition, starting out with a more gritty sound coming from the fuzz bass that Paul is playing. The vocals have their sort of &#8220;spacey&#8221; quality to them that becomes popular on tracks like &#8220;Lucy in the Sky with Diamonds&#8221;, &#8220;Strawberry Fields&#8221;, and more. However, it sill has a pop-quality to it. &#8220;The Word&#8221; is a motown meets rock sort of track. Even the title sounds almost motown, and the vocal harmonies sound like something straight out of Motown &#8211; only with white boys doing it. Very catchy track.</p>
<p>&#8220;Michelle&#8221; is a slower piece with nice backing vocal, with not much also except the drums. It&#8217;s one of the lounge-singing kind of songs with Paul doing a wonderful job on lead vocals. A song about, well, Michelle a special girl to Paul apparently. Then again, a lot of their songs were this way &#8211; this one just has more sophistication. &#8220;What Goes On&#8221; is a Ringo composition (with help from Lennon/McCartney) with a sort of country twang to it. Similar country sound with blues comes out on &#8220;I&#8217;m Looking Through You&#8221;, a few tracks later.</p>
<p>&#8220;In My Life&#8221; is one of the best simple songs the Beatles&#8217; ever wrote. It&#8217;s about growing up, and facing change that happens &#8211; good or bad. A soft, fluttering guitar fill here and there with solid drums make it a very good track. A very deep song, especially considering the kind of songs the Beatles&#8217; usually wrote. The piano solo is quick, bouncy, but very fitting. Finally &#8220;If I Needed Somebody&#8221; is a Harrison composition, which shows his ability to write songs. One of the more older sounding tracks with a very pop feeling to it. Still showing great growth in the group as songwriters.</p>
<p>I didn&#8217;t go over some tracks &#8211; &#8220;Girl&#8221;, &#8220;Wait&#8221;, and &#8220;Run For Your Life&#8221; &#8211; all show different styles coming together. The Beatles&#8217; listened to lots of music and tried to impersonate or infuse the styles. Altogether it was uniquely like 60s rock, and just showed their vast amounts of talent. Ringo and George were beginning to become bigger parts of the band &#8211; taking some vocals and writing songs. It would lead to bigger and better things in the future.</p>
<p>Overall, listening to this album again totally changed my opinion of it. I think it&#8217;s a terrific album now. I used to scorn at it because it was too &#8220;pop&#8221; sounding, but I can now hear all the growth and musical changes going on. Even if all the songs except one are under 3 minutes, it&#8217;s still a strong album.</span></p>
<ul>
<li><span style="font-size: x-small;"><a href="http://rapidshare.com/files/276037525/Rubber_Soul-2009_Remaster.zip"><strong>Click here to download</strong></a><br />
</span></li>
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		<title>Fearless &#8211; Taylor Swift</title>
		<link>http://www.songseek.net/2009/08/fearless-taylor-swift/</link>
		<comments>http://www.songseek.net/2009/08/fearless-taylor-swift/#comments</comments>
		<pubDate>Sun, 23 Aug 2009 15:07:46 +0000</pubDate>
		<dc:creator>bio</dc:creator>
				<category><![CDATA[Top post]]></category>
		<category><![CDATA[Country]]></category>
		<category><![CDATA[Pop]]></category>

		<guid isPermaLink="false">http://www.songseek.net/?p=316</guid>
		<description><![CDATA[Taylor Swift has never stepped foot into an American Idol audition nor has she needed to.  At the young age of 18, she is slowly becoming one of the most important artists in the history ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-medium wp-image-317" title="ts2" src="http://www.songseek.net/wp-content/uploads/2009/08/ts2-300x202.jpg" alt="ts2" width="300" height="202" />Taylor Swift has never stepped foot into an American Idol audition nor has she needed to.  At the young age of 18, she is slowly becoming one of the most important artists in the history of country music.  As Shania Twain defined the term “crossover” in the 90s, Taylor Swift is not only carrying the torch, she’s turning a whole new generation of pop fans into country fanatics.</p>
<p>Her latest album, <em>Fearless</em>, has set the bar for any artist attempting to make the trans-genre leap.  She seems to be the perfect storm in a fading music industry that has been overtaken by contest winners and pre-packaged products.</p>
<p><span id="more-316"></span></p>
<p>Not only is Taylor Swift highly talented and gorgeous, she’s well-behaved in a paparazzi-driven society where celebrities are (almost purposely) transforming their fame into infamy.  Outside of her innocent and public breakup with rocker Joe Jonas, Swift has been relatively quiet.  Gossip websites and trash magazines are practically begging for a Taylor Swift slip-up.</p>
<p><em> </em></p>
<p><em>Fearless</em> is a sign of maturation and an improvement over her debut album, <em>Taylor Swift</em>.  It has a few tracks with really no country twang and songs that almost lean into a “singer-songwriter” label.  “Hey Stephen” wouldn’t feel misplaced on any Sheryl Crow record and “Breathe” is undoubtedly a legitimate pop song.  This album is a step in the right direction for an artist who is extremely dynamic and is almost single-handedly molding a new country/pop fan base.  <em>Fearless</em> is a magnificent piece of pop music.  It’s one of the best pop albums released since Michael Jackson’s <em>Thriller</em> and without-a-doubt the best female country album I have ever heard.</p>
<p>One thing we must remember when listening to any artist is the intended target audience.  Just as a 60-year-old woman isn’t going to love Metallica, a 30-year-old man is most likely not going to love Taylor Swift.  <em>Fearless</em> is for high school to twenty-something aged females.  If you listen to her music and compare it to <em>Abbey Road</em>, then you’re not in the right frame of mind.  <em>Fearless</em> isn’t trying to be <em>Abbey Road</em> or <em>Let It Bleed</em>, just as <em>Hannah Montana</em> isn’t trying to be <em>Seinfeld</em>.  With any form of art, you must understand the intended audience before determining your affinity for the work.</p>
<p>My favorite songs on this album, with the exception of “You Belong With Me”, were solely written by Taylor Swift.  “Fifteen”, “Love Story”, “Hey Stephen”, and “You’re Not Sorry” are all perfectly written songs of love and heartbreak.  It’s absolutely astonishing that an 18-year-old is responsible for this music.</p>
<ul>
<li><a href="http://rapidshare.com/files/250108988/TaylorSwiftFearless.rar">Click here to download</a></li>
</ul>
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